Truck driver killed in Davao del Sur road accident “All the elimination round stuff goes out of the window (in the finals),” said Alapag. “We will have to come out and continue to play the way we did in the semifinals against Hong Kong [Eastern]. As good as we played against Hong Kong, Mono was just as impressive in beating (Chong Son) Kung Fu.”Alab dethroned 2017 champion Eastern via a two game-sweep capped by a 79-72 win in Santa Rosa on Sunday, before Mono overcame Kung Fu, 83-80, to also win their best-of-three semifinal series.FEATURED STORIESSPORTSGinebra beats Meralco again to capture PBA Governors’ Cup titleSPORTSAfter winning title, time for LA Tenorio to give back to Batangas folkSPORTSTim Cone, Ginebra set their sights on elusive All-Filipino crownFor Alapag’s players, there will be plenty of motivation on top of winning the title.Puerto Rican import Renaldo Balkman will be looking to complete his redemption campaign in the finals, while Bobby Ray Parks Jr., whose late father Bobby Sr., coached San Miguel to a second-place finish in 2012, aims to get the job done this time. Lights inside SMX hall flicker as Duterte rants vs Ayala, Pangilinan anew Today in Belfast: Remember the Filipino Flash? ‘Stop romanticizing Pinoy resilience’ P16.5-M worth of aid provided for Taal Volcano eruption victims — NDRRMC LATEST STORIES Jo Koy draws ire for cutting through Cebu City traffic with ‘wang-wang’ Scientists seek rare species survivors amid Australia flames View comments Alapag: Elims games don’t matter anymore —ABL.COMThe elimination round sweep of Mono Vampire of Thailand counts for nothing as far as San Miguel Alab Pilipinas coach Jimmy Alapag as the Filipino club hosts Game 1 of the best-of-five Asean Basketball League (ABL) finals on Sunday night at Santa Rosa Multi-Purpose Complex in Laguna.Alab won both meetings with the Thai club, which meant it will also hold homecourt advantage in the Finals as Alab tries to become the third Filipino club to win the regional crown after the inaugural champions Philippine Patriots in 2010 and the San Miguel Beermen in 2013.ADVERTISEMENT MOST READ Balkman, whose lifetime ban from the PBA was lifted recently, starred in the semifinals against Hong Kong, joining forces with Justin Brownlee.Sports Related Videospowered by AdSparcRead Next Green group flags ‘overkill’ use of plastic banderitas in Manila Sto. Niño feast Don’t miss out on the latest news and information. Trending Articles PLAY LIST 00:50Trending Articles00:50Trending Articles02:14Carpio hits red carpet treatment for China Coast Guard02:56NCRPO pledges to donate P3.5 million to victims of Taal eruption00:56Heavy rain brings some relief in Australia02:37Calm moments allow Taal folks some respite03:23Negosyo sa Tagaytay City, bagsak sa pag-aalboroto ng Bulkang Taal01:13Christian Standhardinger wins PBA Best Player award In fight vs corruption, Duterte now points to Ayala, MVP companies as ‘big fish’ Volcano watch: Island fissures steaming, lake water receding
Barcelona star Neymar 1 The father of Brazilian star Neymar has confirmed Manchester United DID try to sign his son in the summer transfer window.It United were reported to have tabled a record-breaking offer for the Barcelona forward, as the club chased a marquee signing towards the end of the market.The deal on the table was rumoured to be around £240million, including transfer fee and wages, but Neymar Santos Sr has revealed Barca rejected the offer out of hand.Barcelona have since confirmed they are working on tying Neymar down to a long-term contract at the Nou Camp, and see the 23-year-old staying at the Catalan club ‘for life’.“The offer reached Barcelona and the club contacted us saying they were not going to sell,” Neymar Sr told Boa Tarde Fox.“They asked if we were interested, but that wasn’t the case. Barcelona are not selling, he has three years still to go on his contract.“It was Manchester’s deal, but that offer is not on the table now, it has fallen through.”
Share Facebook Twitter Google + LinkedIn Pinterest The U.S. Senate confirmed of Iowa Gov. Terry Branstad to be the U.S. Ambassador to China, a move which many in agriculture appreciated.“As the six-term governor of a state with more than $10 billion in annual agricultural exports, Terry Branstad is an ideal person to help facilitate the U.S. beef industry’s return to the Chinese market for the first time in 13-plus years,” said Craig Uden, president of the National Cattlemen’s Beef Association. “Ambassador Branstad has said that he intends to serve American-produced beef at the U.S. embassy in Beijing, and America’s cattle producers look forward to working with him to make that a reality as soon as possible.”The announcement comes at a particularly important time for the U.S. cattle industry and trade with China. There is just one more round of technical consultations for the U.S. agreement with China on access to Chinese beef markets with a July 16 deadline before U.S. beef is allowed in the country after being locked out for 13 years.
Share Facebook Twitter Google + LinkedIn Pinterest Ohio Farm Bureau Federation has pledged its support to member and Wood County farmer Mark Drewes, who today filed a lawsuit challenging the constitutionality and legal status of the Lake Erie Bill of Rights. Toledo voters yesterday approved creation of LEBOR during a special election. Drewes’ suit was filed in the Federal District Court for Northern Ohio.LEBOR grants rights to Lake Erie and empowers any Toledo citizen to file lawsuits on behalf of the lake. It gives Toledoans authority over nearly 5 million Ohioans, thousands of farms, more than 400,000 businesses and every level of government in 35 northern Ohio counties plus parts of Michigan, Indiana, Pennsylvania, New York and Canada.LEBOR was passed despite the prevailing legal opinion that many of its provisions are unconstitutional.Drewes is a long-time member of Ohio Farm Bureau and is on the board of directors for The Ohio Corn and Wheat Growers Association. Drewes Farm Partnership is a family crop operation in Custar, Ohio with a significant history of being dedicated to improving water quality.“Mark’s farm is an example of the right way of doing things” said Adam Sharp, executive vice president of Ohio Farm Bureau. “He’s employing a variety of conservation practices, water monitoring systems, water control structures and uses variable rate enabled equipment and yet he’s vulnerable to frivolous lawsuits. We are proud that our member has stood up against this overreach, and his efforts will benefit all Farm Bureau members, farmers and protect jobs in Ohio.”OFBF has historically engaged in precedent setting court cases that potentially affect its members. Farm Bureau will actively assist Drewes and his legal team throughout this litigation to ensure our members’ concerns are heard. OFBF’s legal staff will monitor developments, lend agricultural expertise and provide supporting information about agriculture’s efforts to protect water quality.Drewes is represented by the law firm Vorys, Sater, Seymour and Pease LLP, which has extensive experience fighting against onerous government action.Thomas Fusonie, a partner at Vorys and one of the counsel for Drewes, explained, “The Charter Amendment is an unconstitutional and unlawful assault on the fundamental rights of family farms in the Lake Erie Watershed – like the Drewes’ 5th generation family farm. The lawsuit seeks to protect the Drewes’ family farm from this unconstitutional assault.”The suit argues LEBOR violates federal constitutional rights, including equal protection, freedom of speech and is unenforceable for its vagueness. A request for preliminary and permanent injunction was also filed seeking to prevent enforcement of the law.“Farmers want and are working toward improving water quality, but this new Toledo law hurts those efforts. Mark Drewes understands this, and it’s Farm Bureau’s job to back his important actions on behalf of Ohio farmers,” Sharp said.
This article is only available to GBA Prime Members Start Free Trial Already a member? Log in Sign up for a free trial and get instant access to this article as well as GBA’s complete library of premium articles and construction details. There are lots of reasons to attend conferences. At a good conference, we get a chance to network with colleagues, to learn about recent research, to see new products, and to talk with manufacturers’ reps. I’ve had the good fortune, over the last six weeks, to attend three conferences focusing on green building and residential energy:It would be a daunting task to report on all of the excellent presentations I attended at these three conferences. While I hope to report in depth on some of the presentations in coming months, I’ve decided (as a stopgap measure) to share a collection of pithy quotes gleaned from all three conferences.Bill Rose is a research architect at the Building Research Council at the University of Illinois, and the author of the landmark textbook, Water in Buildings. At the Boston conference, Rose said, “If you do something to the building envelope to make the exterior colder, it will be wetter. Cold means wet; warm means dry. This pertains to materials outboard of the thermal envelope, primarily during cold weather. At a given vapor pressure, chilled materials are wetter than warmed materials. This is an equilibrium condition. It is not a consequence of diffusion, air leakage, or drying potential to one side or the other.”Carl Seville, the Green Building Curmudgeon, is a consultant based in Atlanta. At the Greenprints conference, Seville said, “The different green certification programs are essentially similar in concept. LEED has the most onerous documentation requirements. That’s job security for me. The 2012 version of the National Green Building Standard is based on the 2012 energy code, while LEED is still down at the Energy Star Version 2 level. USGBC is like a battleship that can’t turn very easily. Now it is the least difficult program to…
Learn to create line art animation for your videos in this step-by-step After Effects tutorial.Line art refers to a style that uses generally one color and one stroke weight. In this tutorial, we will create a line art envelope icon that animates on and off for use in looping gifs. Here’s the finished product:You can watch the tutorial below.Download Free Animated Envelope TemplateWant to follow along with the tutorial? Simply download the free project file by hitting the button below.DOWNLOAD FREE ANIMATED ENVELOPE PROJECT FILE FOR AFTER EFFECTS Step 0Create a new composition. Since we’re working with a .gif output, we don’t need to adhere to any broadcast standards. For this piece, we’re working with a 640 by 640 pixel composition size, 5 seconds long, at 29.97 frames per second.Step 1Make a new white solid to serve as your background.Step 2The next step is to get the circle in place. Double click on the Ellipse Tool and change the fill to none and the stroke to 10px, then pick a dark color for the line. This will draw a circle the same size as your composition, which in this case is 640 by 640. Twirl into the shape layer to access the contents and change the size of the ellipse to 450 by 450. A circle is a nice, clean way to frame our icon, and it sets up an easy exit at the end of the animation when it swallows the icon.To animate on the circle, we use the trim paths. Add a trim path to the ellipse group and keyframe both the end and offset property. The end should start at 0% and animate on to 100% in 1 second. At the same time, the offset should animate from 30 degrees to 90 degrees.Finally you will want to use round caps and round joins on the stroke of your circle. Throughout this tutorial, all strokes should be 10 pixels thick with round caps and joins.Step 3Now we need an envelope. This begins with a rectangle. You can double click on the rectangle tool with nothing selected to produce a rectangle the same size as your composition and then edit the details by twirling down into the contents of the new layer. This rectangle should have a white fill, the same color as your background, and a black stroke, the same color as your circle. This project will use only these two colors. You should also match the stroke of the circle in thickness and roundness. Change the size of the envelope to 300 by 175 pixels.We animate this layer on by adding trim paths, and instead of animating the end of the path from 0 to 100, we animate both the start and end from 50 to 0 for the start and 100 for the end. This trims the path to write on from the middle outward. This should produce a line that writes on from corner to corner.You will want to easy ease the first keyframes, but leave the last one linear so the animation starts slowly and accelerates to a constant speed by the time the animation has completed.Step 4That leads us to the next section, where we animate on the flap of the envelope. We create the flap by duplicating the “envelope back” layer and converting the rectangle path to points. It is also best to parent the flap to the back and position the envelope lower so that when the flap opens, the image is balanced.This will allow us to remove one of the points and move another to form a triangle. I recommend using the grid to line up the middle point exactly in a predictable position. We can remove the keyframes for the start of the trim paths and only use the end property to animate on the flap from 0 to 100. This should begin one frame before the “envelope back” completes and end around 20 seconds in. You will want to change the first keyframe to linear and the last to eased. This will create a smooth transition and the illusion that the envelope and the flap share the same back line.Now you’ll likely notice the fill of the flap is making an ugly little overhang. You can keyframe the opacity of the file so that it is not visible before the animation completes. Once the trim paths is finished writing on the flap, you can set the opacity to 100. Set these keyframes to be hold keyframes if you like or just situate them right against each other.Finally, we need this flap to open. To do this, we will simple keyframe the path. Twirl into the contents of the shape and keyframe the path. The start state should be flap-down. The end state should be the open envelope. Just move the middle point up to the new position. You’ll want both of those keyframes eased, and you’ll want to pull the handles of the last keyframe to have 100% influence. This makes a nice acceleration curve for the movement.Step 5If we’re going to put a letter in the envelope, we need to form the front of the envelope. We will again duplicate the “envelope back” layer, convert the rectangle to points, and instead of deleting points, add one in the middle of the top line. Bring that point to match the location of the tip of the flap. This layer will remain mostly unchanged. You should also parent it to the envelope back. This layer doesn’t need to animate on, and you should trim it in time to exist only after the trim paths have resolved for the layers that make up the envelope. You can just delete the trim paths from this layer entirely. This layer should also live above the envelope back but below the flap.Step 6So we have an envelope that animates on and then opens up. Now we need a letter to come out of the envelope. We can again duplicate the envelope back so we don’t have to tweak any fills or strokes. And we may want to solo this layer as we’re working on it and rename it “letter” or something useful.This layer is going to be the page that exits the envelope and flops over. However, this will only be one half of the flop. The bend that happens in the paper is made of two layers, and together they form the illusion that one piece of paper is flopping out of an envelope.To make the first part of the flow we will first enlarge the rectangle path in the letter layer. Then we will add another rectangle path and convert that to a bezier path. We then make it taller and add points to the top to make the curve.Then we will add a merge paths to these and set the merge method to “intersect,” so we will only see where the two paths overlap each other. After that, we can move the rectangle path up and down to reveal more or less of the curved path. We then set keyframes to make the rectangle change position and move all the way up the layer until only one line is visible at the top of the shape.This layer should be between the envelope’s back and front. However, it also needs to be above the flap after the flap opens up. So you should split the flap layer (command+shift+d) and position the second flap behind the letter. You will need to time the letter’s emergence and animation to not intersect strangely with the flap.Step 7You can create the second half of the flopping letter by duplicating and flipping the first letter and then time reversing its keyframes so the rectangle moves from revealing only a line at the top of the “paper” to the straight rectangle section. I recommend parenting the second paper to the first so when you keyframe the paper’s position, the two move together. Then, it’s a matter of lining up the timing so that as the paper appears to come out and flop over, it continues that motion in the second layer. You will need to alter the graph editor by easing their keyframes to give it a pleasing motion. But, once they’re lined up right, the trick is complete!You will want the paper to change position to rise up a little as it flops. You can set keyframes for the position to make that happen. Just remember to ease your keyframes so it doesn’t look jerky.Step 8The last thing to do is add some embellishments. Now that the whole piece is moving around and animating on as you would expect, I recommend putting a burst of some kind at the start when the write on of the circle and envelope end. You can make a burst using shape layers by animating a rectangle from size and position 0,0 out to size 0,55 and position 0,-375 over about 10 frames and ease the keyframes. In the middle of those keyframes, however, you’ll want the size to be 0,155 and position to be 0,170 — and set the middle keyframes to “auto bezier,” which you can do by holding alt and clicking the keyframe until it becomes a circle. Then go into the graph editor and change the influence handles of the first keyframes to 0%. This causes a nice burst on.Then you just need to use the repeater to make an array of 6 of these changing their rotation to 60 degrees. I then duplicate a group containing all those rotating at 30 degrees and scaling it up. But then you have two different strokes from the scale. So you should remove the stroke from one of the groups and drag the other stroke below the two groups. This applies the stroke to the contents of the groups after transformation so it won’t deform the stroke at all. Next, you can set it to round, 10 pixels thick, and give it a dash of 20, a gap of 30, and a dash of 60 to complete the look. Line up this layer with the envelope’s completion, and it really calls attention to the frame. You may want to trim the layer down so you don’t need to see the first few frames and only get the exciting bits of the animation.I highly recommend watching the video tutorial to get all the step-by-step nuances. And if you had trouble with the tutorial, download the project file and really dive in.Do you have tips about line art animation? Share in the comments.
The National Human Rights Commission (NHRC) has registered 104 cases in the past two-and-a-half months of “discrimination and victimisation of minorities and Scheduled Castes,” the Lok Sabha was informed on Tuesday. At least 52 cases of atrocities against the SCs were filed in Uttar Pradesh alone.In 2018-19, 672 cases of atrocities against the SCs and 79 against the minorities were filed. MoS Home G Kishan Redddy said in a written response that “data regarding crimes against specific communities is not centrally maintained”. He said the State police must take action in the cases registered by the NHRC.
Quite often at the Olympics, there are some events which do not get elaborate coverage.If you take the case of Indian rowing, nobody has been able to go to distant venue Eton Dorney, where the rowing competition is taking place.Even though there is short news of rower Swaran Singh having failed to make it to the semi-finals in mens singles sculls on Tuesday, not many will understand its significance.At 22 years of age, Swaran Singh started rowing only three years ago and has made Hyderabad his home. Its at the Hussain Sagar lake all the rowers put in hours as they slog it out for attaining speed and working on improving their timings.Under coach Ismail Baig, Swaran has been training hard and it went virtually unnoticed in Eton Dorley the other day that he set a national record of 6: 54.04 in the heat. He then slowed down to 7:00.49 in the repechage and could manage only 7:11.59 in the quarter-finals on Tuesday.Even as media reports said Swaran was “disappointed” the lanky sardar laughed it off. “I am not very disappointed because I have improved on my time and I hope to improve on my performance in the future.I have been only rowing for three years, so I am proud to be India’s top rower at the Olympics,” Swarn said after the race.In a sport where the demand on the body is intense, Swaran Singh’s timings have come down if you see his three races. But on Tuesday, the bigger story was how he was lying second after the first 500 metres in the 2,000 metre race.advertisementWhen he eventually finished fourth in his quarterfinal, it meant he had come close to the medal bracket.In any other sport, one would expect that the timings get better and better. But for that your body needs to have proper recovery and a support group which takes take care of the fatigue.In India, there is a clear divide between those in elite sport and those in events like rowing which comes into focus only once every four years at an Asian Games or the Olympics.Missing out on a semi-final slot would come into focus in any other sport, but not rowing. But thats something these athletes will have to live with.At the Guangzhou Asian Games, had it not been for the golden effort of Bajrang Lal Thakar, nobody would have known this sport again.Few would be aware that this year, Swaran defeated Bajrang at home and then went to the Asian championship and secured the qualification grade for the London Olympics.The sad part is when star Indian athletes get their personal coach, physio and masseur, rowers can’t even complain. They are away from the main action and are a neglected lot.The Indian sports ministry spends a lot of money these days on athletes and coaches. Maybe, someone needs to tell the babus in the ministry that they also make a proper plan to send masseurs etc as they count a lot in recovery.Just imagine, if Swaran had someone to work on his fatigue, he would have been much fresher and could have sustained the same pace he had in the first part of the race at Eton Dorney.Yet, the man remained modest. “I did very well in the first 1000 metres and now I must concentrate on improving my performance in the second 1000 metres of a race,” said Swaran.In London, if you take teams like shooting and boxing, the star athletes have their way. There is also a huge concern over wrestling as this is also a sport where recovery is so important.If a sport like hockey can today arrange for the support staff despite so many hassles, corporate India needs to look at sport like rowing as well. This is not a sport where you have to support too many athletes. One can well focus on a select group.Maybe for the 2014 Asian Games in Incheon, South Korea?